And both workers and management praised the new pact. « We`ve had to rethink how an ad [in the linear and mixed digital world] is used to pay players fairly while allowing for the predictability, flexibility and simplicity that advertisers and agencies need, » David White, sag-AFTRA`s national managing director, told THR. « The new rules give new life to the treaty. » Claims arising from the continued use of advertisements in a dusty corner of YouTube have been a recurring problem for producers, and payrolls can be huge, especially if the occupation is large. Once separate units, now a united force that ensures fair wages for actors in different media such as film, television, advertising and radio. Sag, however, offers various agreements that allow producers to buy essentially « in large quantities », depending on where the advertisement is broadcast. If you work with actors who are not in the guild, don`t worry. Under this agreement, as with most SAG agreements, these players can work with a Taft Hartley agreement. The sag commercial agreement class B applies to ads running in 6 to 20 cities, and the scale depends more or less on whether or not New York is one of those cities. Unlike SAG Class A fares, you have to pay a little more if New York is one of your cities, which is why most opt for the first deal. The 1st Usage Rates are as follows: The use of advertisements on « high-end » (« OTT ») platforms like Hulu is now included in Internet usage. First, stunt coordinators who do not show up in an advertisement are entitled to a meeting fee.
The coordinator only receives usage payments if she actually performs a cascade in the advertisement in accordance with the requirements of the existing section 6.F. . . .